|
George Booth (born June 28, 1926) is a ''New Yorker'' cartoonist. Over time, his cartoons have become an iconic feature of the magazine. In a doodler's style, they feature everymen beset by modern complexity, goofballs perplexing their spouses, cats, and very often a fat dog. ==Biography== Born in Cainsville, Missouri, Booth was the son of schoolteachers; his mother, Irma, was also a musician and fine artist and cartoonist, and his father, William, became a school administrator in Fairfax, Missouri, where Booth grew up on a vegetable farm. Booth attended, but did not graduate from, the Corcoran College of Art and Design, the Chicago Academy of Fine Arts, the School of Visual Arts, and Adelphi College. Drafted into the United States Marine Corps in 1944, Booth was invited to re-enlist and join the Corps' ''Leatherneck'' magazine as a staff cartoonist; when re-drafted for the Korean War, he was ordered back to ''Leatherneck''. As a civilian, Booth moved to New York City where he struggled as an artist, married, then worked as an art director in the magazine world. During this era he worked on the comic strip ''Spot'' in 1956. Fed up, Booth quit and pursued cartooning full-time, beginning a successful phase in 1969, with his first ''New Yorker'' cartoon sale. One signature element of Booth's cartoons is a ceiling light bulb on a cord pulled out of vertical by another cord attached to an electrical appliance such as a toaster. Most of the household features in his cartoons are taken from his own home, such as the rugs, chairs, ferns, and cats. One of his own cats, adopted later in his career, was described as being "more like my drawing than the drawings... when he lies down, his back feet go out in back — straight out."〔''Cat People'', Bill Hayward, introduction by Rogers E. M. Whitaker. New York: Dolphin/Doubleday, 1978 (p. 68)〕 Booth also created the comic strip ''Local Item'' in 1986. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「George Booth (cartoonist)」の詳細全文を読む スポンサード リンク
|